A reworked Sister Act still packed with laughter
TORONTO - Sister Act, on stage at TorontoƵapp Ed Mirvish Theatre, will awaken your urge to boogie like itƵapp 1978.
In Philadelphia, we find wannabe star Deloris Van Cartier in thigh-high purple boots and a short leopard print dress. SheƵapp just seen her married lover murder a man and now, under witness protection, the police have hidden her in the last place anyone would think to look — a convent.
Whoopi Goldberg, one of the musicalƵapp producers, who first played Deloris on-screen, made Sister Act the film popular in 1992. And it is with this memory that many theatregoers walked into the performance. But with Ta’Rea Campbell as Deloris on stage, itƵapp easy to forget anyone else donned the black and white habit.
CampbellƵapp transformation from nightclub diva to divine singer was believable, while never losing the boisterous (in the best sense) personality of her character.
“She lacks a bit of self-control,” Campbell said about Deloris in an interview with The Catholic Register. “Not in a bad way. Just in a way that she only knows how to be one person and thatƵapp herself. And sometimes, we as adults get to modify our behaviour when we’re in certain situations, and I don’t think Deloris Van Cartier is able to do that.”
ItƵapp this freedom of spirit that comically conflicts with the conventƵapp Mother Superior, played by Hollis Resnik.
“I have to embody this very stern, rigid, pious nun,” said Resnik. “ThereƵapp a stoicism about her, thereƵapp a strong belief system in her.”
An entire musical number is devoted to Mother Superior attempting to put Deloris in her place. Mother is traditional where Deloris likes change, stiff where Deloris is flexible, quiet where Deloris is loud and conservative where Deloris is anything but.
Though the characters are butting heads, the actors are in sync, finishing each otherƵapp sentences during the interview.
“Deloris Van Cartier would like to take a bedazzler and bedazzle the habit if she could,” said Campbell. “Maybe I can jazz this outfit up a little bit,” she said mimicking her characterƵapp attitude.
“It doesn’t cry out for accessories,” replied Resnik instantly in Mother Superior-mode.
The cast has great chemistry, but the music remains the main draw. If patrons expect songs from the movie, they will be slightly disappointed. Though productions such as this attract patrons who hope it will be a nostalgia-fest based on the film, the audience will still get value for their dollar because the show includes an original score by Alan Menken with lyrics by Glenn Slater. Hits such as “My God” from the film have been replaced with “Take Me To Heaven” where the nuns belt out cheeky lines, such as “I’ll take any vow, just take me now” and “I’ll get on my knees, just take me please.”
In “Sunday Morning Fever,” the sisters encourage the faithful to “shake it like you’re Mary Magdalene.”
Breakout musical performances also include Kinglsey Leggs as Curtis Jackson, DelorisƵapp mobster boyfriend, singing “When I Find My Baby.” Effortlessly switching from a sinister to a sweet tone, he promises to never let his baby go. JacksonƵapp clueless henchmen, played by Charles Barksdale, Todd A. Horman and Ernie Pruneda, also deliver a completely satisfying performance when they brainstorm via song ways to tempt the celibate nuns. In “Lady In The Long Black Dress” they promise to give the sisters something to confess.
Opening night was filled with plenty of laughs, including from the nuns in the audience. But there is a take home message in DelorisƵapp unexpected journey from sin to redemption, from loneliness to discovering the joy of sisterhood.
“Just be good to each other, no matter what the circumstances are,” said Resnik. “ThereƵapp always something to be learned and found in every relationship.”
No matter your religious beliefs, said Campbell, “ItƵapp important to be good hearted, itƵapp important to respect other people, respect their journey, respect their path (and) respect their soul.” Amen, sister.